A
MAZE
IN
ZAZAZA ENTER ZAZAZA
ZAZAZAZAZAZAZAAZAZAZAZAZAZAZ
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE
MAGICALALPHABET
ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
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WORK DAYS OF GOD
Herbert W Morris D.D.circa 1883
Page 22
"As all the words in the English language are composed out of the twenty-six letters of the alphabet,.."
LIGHT AND LIFE
Lars Olof Bjorn 1976
Page 197
"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
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"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
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A
HISTORY OF GOD
Karen Armstrong
The God of the Mystics
Page 250
"(The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."
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THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE
AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED
THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF
THE
ALPHABET
IS
GIVEN
A
NUMERICAL
VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS
REARRANGING THEM IN ENDLESS CONFIGURATIONS
THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
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FINGERPRINTS OF THE GODS
A QUEST FOR THE BEGINNING AND THE END
Graham Hancock 1995
Chapter 32
Speaking to the Unborn
Page 285
"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?
A message in the bottle of time"
'Of all the other stupendous inventions,' Galileo once remarked,
what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3
If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320 or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."
"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"
"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
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THE
FAR YONDER SCRIBE
AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE
THE
ZED ALIZ ZED
IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
AT THE THROW OF THE NINTH RAM WHEN IN CONJUNCTION SET
THE
FAR YONDER SCRIBE
MADE RECORD OF THEIR FALL
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Cycles and Patterns
Page 165
Patterns
"The essence of mathematics is to look for patterns.
Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.
These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!
Searching out patterns is a pure delight.
Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.
And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."
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THE RAINBOW LIGHT |
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- |
|
|
C |
|
|
|
U |
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
|
D |
|
|
|
V |
|
|
|
|
|
|
4 |
- |
4 |
- |
4 |
|
|
|
1+2 |
|
|
D |
|
|
|
V |
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
|
E |
|
|
|
W |
|
|
|
|
|
|
5 |
- |
5 |
- |
5 |
|
|
|
1+5 |
|
|
E |
|
|
|
W |
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
|
F |
|
|
|
X |
|
|
|
|
|
|
6 |
- |
6 |
- |
6 |
|
|
|
1+8 |
|
|
F |
|
|
|
X |
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
|
G |
|
|
|
Y |
|
|
|
|
|
|
7 |
- |
7 |
- |
7 |
|
|
|
2+1 |
|
|
G |
|
|
|
Y |
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
|
H |
|
|
|
Z |
|
|
|
|
|
|
8 |
- |
8 |
- |
8 |
|
|
|
2+4 |
|
|
H |
|
|
|
Z |
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
|
I |
|
|
|
- |
|
|
|
|
|
|
9 |
- |
9 |
- |
- |
|
|
|
1+8 |
|
|
I |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
|
|
1+2+6 |
|
|
5+4 |
|
|
|
|
|
|
|
|
|
|
|
3 |
3 |
- |
A+B+C |
6 |
6 |
6 |
2 |
- |
2 |
|
|
|
|
3 |
3 |
- |
F+G+H |
21 |
21 |
3 |
1 |
- |
1 |
|
|
|
|
3 |
3 |
- |
J+K+L |
33 |
6 |
6 |
2 |
- |
2 |
|
|
|
|
2 |
2 |
- |
O+P |
31 |
13 |
4 |
3 |
- |
3 |
|
|
|
|
3 |
- |
3 |
|
|
|
|
3 |
- |
3 |
|
|
|
|
1 |
1 |
- |
Z |
26 |
8 |
8 |
|
|
|
|
|
|
|
2+6 |
1+2 |
1+4 |
|
3+5+1 |
1+2+6 |
8+1 |
|
|
|
|
|
|
|
3 |
A+B+C |
6 |
6 |
6 |
- |
D+E |
- |
- |
- |
3 |
F+G+H |
21 |
21 |
3 |
- |
I |
- |
- |
- |
3 |
J+K+L |
33 |
6 |
6 |
- |
M+N |
- |
- |
- |
2 |
O+P |
31 |
13 |
4 |
- |
QRS |
- |
- |
- |
- |
TUV |
- |
- |
- |
- |
WXY |
- |
- |
- |
1 |
Z |
26 |
8 |
8 |
12 |
First Total |
117 |
54 |
27 |
2+6 |
Add to Reduce |
1+1+7 |
5+4 |
2+7 |
8 |
Reduce to Deduce |
9 |
9 |
9 |
- |
A+B+C |
- |
- |
- |
2 |
D+E |
9 |
9 |
9 |
- |
F+G+H |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
J+K+L |
- |
- |
- |
2 |
M+N |
27 |
9 |
9 |
- |
O+P |
- |
- |
- |
3 |
QRS |
54 |
18 |
9 |
3 |
TUV |
63 |
9 |
9 |
3 |
WXY |
72 |
18 |
9 |
- |
Z |
- |
- |
- |
14 |
First Total |
234 |
72 |
54 |
1+4 |
Add to Reduce |
2+3+4 |
7+2 |
5+4 |
5 |
Reduce to Deduce |
9 |
9 |
9 |
- |
4 |
ZERO |
64 |
28 |
1 |
1 |
3
|
ONE |
34
|
16
|
7
|
2 |
3
|
TWO |
58
|
13
|
4
|
3 |
5
|
THREE |
56
|
29
|
2
|
4 |
4
|
FOUR |
60
|
24
|
6
|
5 |
4
|
FIVE |
42
|
24
|
6
|
6 |
3
|
SIX |
52
|
16
|
7
|
7 |
5
|
SEVEN |
65
|
20
|
2
|
8 |
5
|
EIGHT |
49
|
31
|
4
|
9 |
4
|
NINE |
42
|
24
|
6
|
45 |
40 |
- |
522 |
225 |
45 |
4+5 |
4+0 |
- |
5+2+2 |
2+2+5 |
4+5 |
9 |
4 |
- |
9 |
9 |
9 |
ADVENT 675 ADVENT
THE FOUNDATION STONE |
THE, FOUNDATION, STONE |
I AM THE GOOD SHEPHERD |
HEIMA, HE, I, AM |
VIDHI, V, I, D, H, I |
ELEUSIS |
ELEUSIS, ELEUS, I, S |
AMBROSIA, NECTAR |
SKAMBHA, S, KAMB, HA |
RISHI |
EBEN SHETIYYAH, EBEN, SHETIYYAH |
OVID, OV, I, D |
ENKI, EA, ENMESHARRA |
MELAMMU, ME, L, AMM, U |
ENMESHARRA, EN, ME, SH, A, R, R, A |
ENKI-EA |
SUN, THE, CHINESE, MONKEY |
GREAT, PAN, IS, DEAD |
WHEN, YOU, COME, OPPOSITE, TO, PALODES, |
ANNOUNCE, THAT, GREAT, PAN, IS, DEAD |
THE, ORACLE, OF, DELPHI |
SHOULDER, BLADE, ORACLE |
|
18 |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
8 |
|
- |
|
6 |
|
5 |
|
|
|
9 |
6 |
5 |
- |
1 |
|
6 |
5 |
|
|
|
|
5+1 |
|
|
|
|
|
|
- |
- |
|
8 |
|
- |
|
15 |
|
14 |
|
|
|
9 |
15 |
14 |
- |
19 |
|
15 |
14 |
|
|
|
|
1+2+3 |
|
|
|
|
|
|
|
18 |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
2 |
|
5 |
- |
6 |
|
3 |
|
4 |
1 |
2 |
|
|
|
- |
|
2 |
|
|
5 |
|
|
|
3+0 |
|
|
|
|
|
|
- |
- |
20 |
|
5 |
- |
6 |
|
13 |
|
4 |
1 |
20 |
|
|
|
- |
|
20 |
|
|
5 |
|
|
|
1+0+2 |
|
|
|
|
|
|
|
18 |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
20 |
8 |
5 |
- |
6 |
15 |
21 |
14 |
4 |
1 |
20 |
9 |
15 |
14 |
- |
19 |
20 |
15 |
14 |
5 |
|
|
|
2+2+5 |
|
|
|
|
|
|
- |
- |
2 |
8 |
5 |
- |
6 |
6 |
3 |
5 |
4 |
1 |
2 |
9 |
6 |
5 |
- |
1 |
2 |
6 |
5 |
5 |
|
|
|
8+1 |
|
|
|
|
|
|
|
18 |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
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|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
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|
occurs |
x |
|
= |
2 |
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
2 |
|
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|
2 |
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|
occurs |
x |
|
= |
|
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|
|
|
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|
3 |
|
|
|
|
|
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|
occurs |
x |
|
= |
3 |
|
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|
|
- |
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|
|
|
|
|
|
|
- |
|
|
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|
- |
|
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|
occurs |
x |
|
= |
4 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
25 |
2+5 |
|
|
- |
- |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
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|
occurs |
x |
|
= |
24 |
2+4 |
|
|
|
- |
|
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|
|
|
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|
- |
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|
- |
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|
occurs |
x |
|
= |
8 |
|
|
|
|
- |
|
|
|
|
|
|
|
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|
- |
|
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|
- |
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|
occurs |
x |
|
= |
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|
- |
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|
- |
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|
|
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|
1+8 |
- |
|
|
- |
|
|
|
|
|
|
- |
|
|
|
- |
|
- |
|
|
|
|
|
3+8 |
|
|
1+8 |
|
8+1 |
|
4+5 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
8 |
5 |
- |
6 |
6 |
3 |
5 |
4 |
1 |
2 |
9 |
6 |
5 |
- |
1 |
2 |
6 |
5 |
5 |
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
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- |
|
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|
|
|
T |
= |
2 |
3 |
THE |
33 |
15 |
6 |
F |
= |
6 |
10 |
FOUNDATION |
119 |
47 |
2 |
S |
= |
1 |
5 |
STONE |
73 |
19 |
1 |
- |
- |
9 |
18 |
Add to Reduce |
|
|
|
- |
- |
- |
1+8 |
Reduce to Deduce |
2+2+5 |
8+1 |
- |
- |
- |
9 |
|
Essence of Number |
|
|
|
|
18 |
|
- |
|
|
- |
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
9 |
- |
|
|
- |
|
8 |
|
- |
|
6 |
6 |
|
- |
1 |
8 |
|
|
8 |
|
|
|
|
|
|
4+6 |
|
|
1+0 |
|
|
|
- |
- |
9 |
- |
|
|
- |
|
8 |
|
- |
|
15 |
15 |
|
- |
19 |
8 |
|
|
8 |
|
|
|
|
|
|
8+2 |
|
|
1+0 |
|
|
|
|
18 |
|
- |
|
|
- |
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
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|
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|
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|
|
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|
- |
|
|
- |
- |
|
- |
1 |
4 |
- |
2 |
|
5 |
- |
7 |
|
|
4 |
- |
|
|
5 |
7 |
|
5 |
9 |
4 |
|
|
|
5+3 |
|
|
|
|
|
|
- |
- |
|
- |
1 |
13 |
- |
20 |
|
5 |
- |
7 |
|
|
4 |
- |
|
|
5 |
16 |
|
5 |
18 |
4 |
|
|
|
9+8 |
|
|
1+7 |
|
|
|
|
18 |
|
- |
|
|
- |
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
9 |
- |
1 |
13 |
- |
20 |
8 |
5 |
- |
7 |
15 |
15 |
4 |
- |
19 |
8 |
5 |
16 |
8 |
5 |
18 |
4 |
|
|
|
1+8+0 |
|
|
|
|
|
|
- |
- |
9 |
- |
1 |
4 |
- |
2 |
8 |
5 |
- |
7 |
6 |
6 |
4 |
- |
1 |
8 |
5 |
7 |
8 |
5 |
9 |
4 |
|
|
|
9+9 |
|
|
1+8 |
|
|
|
|
18 |
|
- |
|
|
- |
|
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|
- |
|
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|
- |
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- |
- |
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|
- |
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- |
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|
occurs |
x |
|
= |
2 |
|
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|
occurs |
x |
|
= |
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- |
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- |
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|
occurs |
x |
|
= |
12 |
1+2 |
|
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- |
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|
occurs |
x |
|
= |
15 |
1+5 |
|
|
- |
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|
- |
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|
occurs |
x |
|
= |
12 |
1+2 |
|
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|
- |
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|
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|
occurs |
x |
|
= |
|
1+4 |
|
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|
occurs |
x |
|
= |
24 |
2+4 |
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- |
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occurs |
x |
|
= |
|
1+8 |
|
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|
- |
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- |
|
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|
- |
|
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- |
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|
1+8 |
|
- |
|
|
- |
- |
|
|
- |
|
|
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|
- |
|
|
|
|
|
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|
4+2 |
|
|
1+8 |
|
9+9 |
|
3+6 |
|
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|
- |
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|
- |
|
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- |
|
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- |
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|
9 |
- |
1 |
4 |
- |
2 |
8 |
5 |
- |
7 |
6 |
6 |
4 |
- |
1 |
8 |
5 |
7 |
8 |
5 |
9 |
4 |
|
|
|
|
|
|
|
1+8 |
|
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|
|
- |
|
|
- |
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
HEIMA |
- |
- |
- |
|
H+E |
13 |
13 |
|
|
I |
9 |
9 |
|
|
A+M |
14 |
5 |
|
5 |
HEIMA |
36 |
27 |
18 |
- |
- |
3+6 |
2+7 |
1+8 |
5 |
HEIMA |
9 |
9 |
9 |
5 |
VIDHI |
- |
- |
- |
|
V |
22 |
4 |
|
|
I |
9 |
9 |
|
|
D |
4 |
4 |
|
- |
H |
8 |
8 |
8 |
- |
I |
9 |
9 |
9 |
5 |
VIDHI |
52 |
34 |
34 |
- |
- |
5+2 |
3+4 |
3+4 |
5 |
VIDHI |
7 |
7 |
7 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
|
1 |
9 |
1 |
|
|
|
1+1 |
= |
|
= |
|
= |
|
- |
|
|
|
|
|
19 |
9 |
19 |
|
|
|
4+7 |
= |
|
1+1 |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
5 |
3 |
5 |
3 |
|
|
|
|
|
|
1+6 |
= |
|
= |
|
= |
|
- |
|
5 |
12 |
5 |
21 |
|
|
|
|
|
|
4+3 |
= |
|
= |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
5 |
12 |
5 |
21 |
19 |
9 |
19 |
|
|
|
9+0 |
= |
|
= |
|
= |
|
- |
|
5 |
3 |
5 |
3 |
1 |
9 |
1 |
|
|
|
2+7 |
= |
|
= |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
-- |
- |
|
- |
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
2 |
- |
- |
- |
- |
- |
|
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
- |
|
|
|
- |
|
|
|
occurs |
x |
|
= |
|
= |
|
4 |
- |
- |
- |
- |
- |
|
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
-- |
|
|
|
- |
|
|
- |
|
|
|
occurs |
x |
|
= |
|
1+0 |
|
6 |
- |
- |
- |
- |
- |
|
- |
- |
|
|
|
|
|
|
|
|
|
|
7 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
8 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
- |
|
- |
|
- |
|
|
|
occurs |
x |
|
= |
|
|
|
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+7 |
|
|
|
|
|
|
|
|
|
|
1+8 |
- |
|
|
- |
2+7 |
- |
1+8 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
3 |
5 |
3 |
1 |
9 |
1 |
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
L |
E |
U |
S |
I |
S |
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
- |
- |
1 |
9 |
1 |
|
|
|
1+1 |
= |
|
= |
|
= |
|
|
- |
- |
- |
- |
19 |
9 |
19 |
|
|
|
4+7 |
= |
|
1+1 |
|
= |
|
|
E |
L |
E |
U |
S |
I |
S |
|
|
|
- |
|
|
- |
- |
- |
|
|
5 |
3 |
5 |
3 |
- |
- |
- |
|
|
|
1+6 |
= |
|
= |
|
= |
|
|
5 |
12 |
5 |
21 |
- |
- |
- |
|
|
|
4+3 |
= |
|
= |
|
= |
|
|
E |
L |
E |
U |
S |
I |
S |
|
|
|
- |
|
|
- |
- |
- |
|
|
5 |
12 |
5 |
21 |
19 |
9 |
19 |
|
|
|
9+0 |
= |
|
= |
|
= |
|
|
5 |
3 |
5 |
3 |
1 |
9 |
1 |
|
|
|
2+7 |
= |
|
= |
|
= |
|
|
E |
L |
E |
U |
S |
I |
S |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
- |
- |
1 |
- |
1 |
|
|
|
occurs |
x |
|
= |
2 |
= |
|
- |
- |
3 |
- |
3 |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
6 |
= |
|
-- |
5 |
- |
5 |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
10 |
1+0 |
|
- |
- |
- |
- |
- |
- |
9 |
- |
|
|
|
occurs |
x |
|
= |
9 |
= |
|
|
E |
L |
E |
U |
S |
I |
S |
|
|
18 |
|
|
|
|
|
|
|
|
- |
|
- |
- |
- |
9 |
- |
|
|
1+8 |
- |
- |
- |
- |
2+7 |
- |
1+8 |
|
E |
L |
E |
U |
S |
I |
S |
|
|
9 |
|
|
|
|
|
|
|
|
5 |
3 |
5 |
3 |
1 |
9 |
1 |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
|
E |
L |
E |
U |
S |
I |
S |
|
|
9 |
|
|
|
|
|
|
|
7 |
ELEUSIS |
- |
- |
- |
|
E+L+E+U+S |
62 |
17 |
|
|
I |
9 |
9 |
|
|
S |
19 |
10 |
|
7 |
ELEUSIS |
90 |
36 |
18 |
- |
- |
9+0 |
3+6 |
1+8 |
7 |
ELEUSIS |
9 |
9 |
9 |
8 |
AMBROSIA |
78 |
33 |
6 |
6 |
NECTAR |
61 |
25 |
7 |
7 |
SKAMBHA |
- |
- |
- |
|
S |
19 |
10 |
|
|
K+A+M+B |
27 |
9 |
|
|
H+A |
9 |
9 |
|
7 |
SKAMBHA |
55 |
28 |
19 |
- |
- |
5+5 |
2+8 |
1+9 |
7 |
SKAMBHA |
10 |
10 |
10 |
- |
- |
1+0 |
1+0 |
1+0 |
7 |
SKAMBHA |
1 |
1 |
1 |
Word Records > Longest Words This is the longest word in the first edition of the Oxford English Dictionary. Interestingly the most common letter in English, E, does not appear in this ...
www.fun-with-words.com/word_longest.html - Cached - Similar
What is the most common letter? | Answerbag What is the most common letter? the bills they keep sending me. ... Im Alec. The most common letters in the English language are, in order, ETAOINSHRDLU. ...
www.answerbag.com/q_view/111800 - Cached - Similar
Herbert S. Zim, in his classic introductory cryptography text "Codes and Secret Writing", gives the English letter frequency sequence as "ETAON RISHD LFCMU GYPWB VKXJQ Z", the most common letter pairs as "TH HE AN RE ER IN ON AT ND ST ES EN OF TE ED OR TI HI AS TO", and the most common doubled letters as "LL EE SS OO TT FF RR NN PP CC".[1]
"ETAON RISHD LFCMU GYPWB VKXJQ Z"
- |
5 |
R |
I |
S |
H |
I |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
9 |
1 |
8 |
9 |
|
|
|
2+7 |
= |
|
|
|
|
|
- |
- |
- |
9 |
19 |
8 |
9 |
|
|
|
4+5 |
= |
|
|
|
|
|
- |
5 |
R |
I |
S |
H |
I |
|
|
|
- |
|
|
|
- |
- |
|
- |
- |
9 |
- |
- |
- |
- |
|
|
|
- |
= |
|
|
|
|
|
- |
- |
18 |
- |
- |
- |
- |
|
|
|
1+8 |
= |
|
|
|
|
|
- |
5 |
R |
I |
S |
H |
I |
|
|
|
- |
|
|
|
- |
- |
|
- |
- |
18 |
9 |
19 |
8 |
9 |
|
|
|
6+3 |
= |
|
|
|
|
|
- |
- |
9 |
9 |
1 |
8 |
9 |
|
|
|
3+6 |
= |
|
|
|
|
|
- |
5 |
R |
I |
S |
H |
I |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
- |
1 |
-`` |
- |
|
|
|
occurs |
x |
|
= |
1 |
= |
|
|
|
|
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
- |
|
|
|
|
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
- |
|
|
|
|
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
- |
|
|
|
|
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
- |
|
|
|
|
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
- |
|
|
|
|
- |
7 |
- |
- |
|
|
|
- |
- |
|
- |
- |
- |
|
- |
- |
- |
- |
- |
8 |
- |
|
|
|
occurs |
x |
|
= |
8 |
- |
|
- |
- |
9 |
9 |
- |
- |
9 |
|
|
|
occurs |
x |
|
= |
27 |
2+7 |
|
27 |
5 |
R |
I |
S |
H |
I |
|
|
18 |
|
|
|
|
|
|
|
2+7 |
- |
|
|
|
|
|
|
|
1+8 |
- |
- |
- |
- |
3+6 |
- |
1+8 |
9 |
5 |
R |
I |
S |
H |
I |
|
|
9 |
|
|
|
|
|
|
|
- |
- |
9 |
9 |
1 |
8 |
9 |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
9 |
5 |
R |
I |
S |
H |
I |
|
|
9 |
|
|
|
|
|
|
|
5 |
R |
I |
S |
H |
I |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
9 |
1 |
8 |
9 |
|
|
|
2+7 |
= |
|
|
|
|
|
- |
- |
9 |
19 |
8 |
9 |
|
|
|
4+5 |
= |
|
|
|
|
|
5 |
R |
I |
S |
H |
I |
|
|
|
- |
|
|
|
- |
- |
|
- |
9 |
- |
- |
- |
- |
|
|
|
- |
= |
|
|
|
|
|
- |
18 |
- |
- |
- |
- |
|
|
|
1+8 |
= |
|
|
|
|
|
5 |
R |
I |
S |
H |
I |
|
|
|
- |
|
|
|
- |
- |
|
- |
18 |
9 |
19 |
8 |
9 |
|
|
|
6+3 |
= |
|
|
|
|
|
- |
9 |
9 |
1 |
8 |
9 |
|
|
|
3+6 |
= |
|
|
|
|
|
5 |
R |
I |
S |
H |
I |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
1 |
-`` |
- |
|
|
|
occurs |
x |
|
= |
1 |
= |
|
- |
- |
- |
- |
8 |
- |
|
|
|
occurs |
x |
|
= |
8 |
- |
|
- |
9 |
9 |
- |
- |
9 |
|
|
|
occurs |
x |
|
= |
27 |
2+7 |
|
5 |
R |
I |
S |
H |
I |
|
|
18 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
1+8 |
- |
- |
- |
- |
3+6 |
- |
1+8 |
5 |
R |
I |
S |
H |
I |
|
|
9 |
|
|
|
|
|
|
|
- |
9 |
9 |
1 |
8 |
9 |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
5 |
R |
I |
S |
H |
I |
|
|
9 |
|
|
|
|
|
|
|
- |
EBEN SHETIYYAH |
- |
- |
- |
4 |
EBEN |
26 |
17 |
8 |
9 |
SHETIYYAH |
120 |
48 |
3 |
13 |
|
|
|
|
|
|
1+4+6 |
6+5 |
1+1 |
4 |
|
|
|
|
|
|
1+1 |
1+1 |
- |
4 |
|
|
|
|
4 |
OVID |
- |
- |
- |
|
O+V |
37 |
10 |
|
|
I |
9 |
9 |
|
|
D |
4 |
4 |
|
4 |
OVID |
50 |
23 |
14 |
- |
- |
5+0 |
2+3 |
1+4 |
4 |
OVID |
5 |
5 |
5 |
- |
ENKI EA ENMESHARRA |
|
|
|
4 |
ENKI |
39 |
21 |
3 |
2 |
EA |
6 |
6 |
6 |
10 |
ENMESHARRA |
102 |
48 |
3 |
16 |
|
|
|
|
|
|
1+4+7 |
7+5 |
1+2 |
7 |
|
|
|
|
|
|
1+2 |
1+2 |
- |
7 |
|
|
|
|
7 |
MELAMMU |
- |
- |
- |
|
M+E |
18 |
9 |
|
|
L |
12 |
3 |
|
|
A+M+M |
27 |
9 |
|
|
U |
21 |
3 |
|
7 |
MELAMMU |
78 |
24 |
24 |
- |
- |
7+8 |
2+4 |
2+4 |
7 |
MELAMMU |
15 |
6 |
6 |
- |
- |
1+5 |
- |
- |
7 |
MELAMMU |
6 |
6 |
6 |
|
|
|
|
|
2 |
E+N |
19 |
10 |
1 |
2 |
M+E |
18 |
9 |
9 |
2 |
S+H |
27 |
18 |
9 |
1 |
A |
1 |
1 |
1 |
1 |
R |
18 |
9 |
9 |
1 |
R |
18 |
9 |
9 |
1 |
A |
1 |
1 |
1 |
|
|
|
|
|
1+0 |
|
1+0+2 |
4+8 |
3+9 |
|
|
|
|
|
- |
|
- |
1+2 |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
5 |
|
9 |
- |
|
|
|
|
|
1+4 |
|
|
|
|
|
|
- |
- |
|
14 |
|
9 |
- |
|
|
|
|
|
2+3 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
- |
|
|
- |
- |
5 |
|
2 |
|
- |
5 |
1 |
|
|
|
1+3 |
|
|
|
|
|
|
- |
- |
5 |
|
11 |
|
- |
5 |
1 |
|
|
|
2+2 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
- |
|
|
- |
- |
5 |
14 |
11 |
9 |
- |
5 |
1 |
|
|
|
4+5 |
|
|
|
|
|
|
- |
- |
5 |
5 |
2 |
9 |
- |
5 |
1 |
|
|
|
2+7 |
|
|
|
|
|
|
|
6 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
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5 |
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occurs |
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1+5 |
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7 |
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8 |
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- |
9 |
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occurs |
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9 |
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2+8 |
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2+8 |
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2+7 |
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1+8 |
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1+0 |
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2 |
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3 |
SUN |
54 |
9 |
9 |
3 |
THE |
33 |
15 |
6 |
7 |
CHINESE |
63 |
36 |
9 |
6 |
MONKEY |
83 |
29 |
2 |
HAMLET'S MILL
AN ESSAY INVESTIGATING THE ORIGINS OF HUMAN KNOWLEDGE
AND ITS TRANSMISSION THROUGH MYTH
Giorgio De Santillana and Hertha Von Dechend 1969
Page 274
CHAPTER XXI
The Great Pan Is Dead
EVERYONE HAS ONCE READ, for it comes up many times in litera ture, of that pilot in the reign of Tiberius, who, as he was sailing along in the Aegean on a quiet evening, heard a loud voice announcing that "Great Pan was dead."
5 |
GREAT |
51 |
24 |
6 |
3 |
PAN |
31 |
13 |
4 |
3 |
WAS |
43 |
7 |
7 |
4 |
DEAD |
14 |
14 |
5 |
15 |
Add to Reduce |
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1+5 |
- |
1+3+9 |
5+8 |
2+2 |
6 |
Reduce to Deduce |
13 |
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1+3 |
1+3 |
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Essence of Number |
4 |
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This engaging myth was interpreted in two contradictory ways. On the one hand, it announced the end of paganism: Pan with his pipes, the demon of still sun-drenched noon, the pagan god of glade and pasture and the rural idyll, had yielded to the supernatural. On the other hand the myth has been understood as telling of the death of Christ in the 19th year of Tiberius: the Son of God who was everything from Alpha to Omega was identified with Pan = "All."l
Here is the story, as told by a character in Plutarch's dialogue "On why oracles came to fail" (419 B-E):
The father of Aemilianus the orator, to whom some of you have listened, was Epitherses, who lived in our town and was my teacher in grammar. He said that once upon a time in making a voyage to Italy he embarked on a ship carrying freight and many passengers
.
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WHEN |
50 |
23 |
5 |
3 |
YOU |
61 |
16 |
7 |
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COME |
36 |
18 |
9 |
8 |
OPPOSITE |
115 |
43 |
7 |
2 |
TO |
35 |
8 |
8 |
7 |
PALODES |
72 |
27 |
9 |
8 |
ANNOUNCE |
87 |
33 |
6 |
5 |
GREAT |
51 |
24 |
6 |
3 |
PAN |
31 |
13 |
4 |
2 |
IS |
28 |
10 |
1 |
4 |
DEAD |
14 |
14 |
5 |
Page 276
It was already evening when, near the Echinades Islands, the wind dropped and the ship drifted near Paxi. Almost everybody was awake, and a good many had not finished their after-dinner wine.
Suddenly from the island of Paxi was heard the voice of someone loudly calling Thamus, so that all were amazed. Thamus was an Egyptian pilot, not known by name even to many on board. Twice he was called and made no reply, but the third time he answered; and the caller, raising his voice, said, "When you come opposite to Palodes, announce that Great Pan is dead." On hearing this, all, said Epitherses, were astounded and reasoned among themselves whether it were better to carry out the order or to refuse to meddle and let the matter go. Under the circumstances Thamus made up his mind that if there should be a breeze, he would sail past and keep quiet, but with no wind and a smooth sea about the place he would announce what he had heard. So, when he came opposite Palodes, and there was neither wind nor wave, Thamus from the stern, looking toward the land, said the words as he heard them: "Great Pan is dead." Even before he had finished there was a great cry of lamentation, not of one person, but of many, mingled with exclamations of amazement. As many persons were on the vessel, the story was soon spread abroad in Rome, and Thamus was sent for by Tiberius Caesar. Tiberius became so convinced of the truth of the story that he caused an inquiry and investigation to be made about Pan; and the scholars, who were numerous at his court, conjectured that he was the son born of Hermes and Penelope.
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GREAT |
51 |
24 |
6 |
3 |
PAN |
31 |
13 |
4 |
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IS |
28 |
10 |
1 |
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DEAD |
14 |
14 |
5 |
14 |
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1+2+4 |
6+1 |
6+1 |
5 |
Reduce to Deduce |
7 |
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Plutarch has not been accepted, and a "simple" explanation was suggested. As the ship drifted along shore by a coastal village, the passengers were struck by the ritual outcry and lamentations made over the death of Tammuz-Adonis, the so-called grain god, as was common in the Middle East in high summer. Other confused shouts were understOod by the pilot Thamus as directed to him.2 Out of that, gullible fantasy embroidered the tale, adding details for credibility as usual. This sounded good enough. The story had been normalized, that is, disposed of as insignificant.
One is still allowed to wonder why such a fuss was made at the time about exclamations which must have been familiar to contemporaries, and why, unless Plutarch be a liar, that most learned of mythologists, the Emperor Tiberius himself, thought the matter worth following up.
2 See F. Liebrechr, Des Gervasius van Tilbury Otia hnperialia (1856) pp. 179-80; J. G. Frazcr, Tbe Dying God (Golden Bougb 3), pp. 7f.
DAILY MAIL
Thursday, May 24, 2007
ANSWERS TO CORRESPONDENTS
Compiled by George Legge
More taxation, vicar?
QUESTION
Page 80
"How did Conrad Noel come to be called The Red Vicar of Thaxted?
THE Hon Rev. Conrad Noel (18691942) was an ancestor of mine. He was the son of respected minor poet Roden Baptist Wriothesley Noel, and grandson of Charles Noel, Viscount Campden and first Earl (second creation) of Gains borough.
Conrad was much influenced by his poet father's socialism, thoUgh the latter advocated peaceful means to change society while Conrad's political views verged on the revolutionary.
Roden's effect on Conrad was particularly strong in giving him an imaginative sympathy for the outcasts of society.
Intending to follow a family tradition by going into the Church, Conrad was originally refused ordination because he was regarded as a Pantheist, subscribing to the belief that God and the universe were identical, denying the personality and transcendence of God.
His suspected support of Pantheism was based on his known approval of his father's opinion, expressed in a letter, that: 'Pan is
not dead, save in the sense that God manifest in Nature is now, since the revelation of Our Lord Jesus Christ, to be less worshipped than God manifest in Divine humanity.'
Once accepted by the Church, he veered away from the Anglican Church's evangelical wing, traditionally supported by his family, to embrace extreme Anglo-Catholicism.
But he disapproved of anything he deemed 'Romeish', despite the conversion of the main line of his family to Roman Catholicism. Conrad held that the Church of England was the only true home of Catholic Christianity.
He was a colourful character of diverse talents whose chief claim to fame was his championing of Christian Socialism.
As vicar of Thaxted, Essex, from 1910 until his death in 1942, he became famous for his fiery sermons in favour of High Anglicanism ,and Socialism - hence the 'Red Vicar"tag.
Actively assisted by his curate, Jack Putterill (dubbed 'the other Red Vicar ofThaxted'), he founded the Order of Christian Socialists.
He wrote several books on socialism, particularly in connection with ecclesiastical matters, and, just before he died, dictated an autobiography published after his death entitled Conrad Le Despencer Roden Noel: An Autobiography, edited by Sidney Dark (J.M. Dent & Sons, London 1945)
Gerard Noel,
Chipping Camp den, Glos.
"His suspected support of Pantheism was based on his known approval of his father's opinion, expressed in a letter, that'Pan is
not dead,"
GREAT PAN IS NOT DEAD
3 |
THE |
33 |
15 |
6 |
6 |
ORACLE |
54 |
27 |
9 |
2 |
OF |
21 |
12 |
3 |
6 |
DELPHI |
54 |
36 |
9 |
8 |
SHOULDER |
102 |
21 |
3 |
5 |
BLADE |
24 |
15 |
6 |
6 |
ORACLE |
54 |
27 |
9 |